The design source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.128. This rug with a large central octagon was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at th..

The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.126. This rug with palm trees and cypresses was designed in the late 15th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washi..

The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.126. This rug with palm trees and cypresses was designed in the late 15th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washi..

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagireh..

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria...

This rug has an interpreted design composed of a palmette lattice pattern taken from a part of the Mamluk rug, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a..

The source of the rug comes from the Baillet-Latour Mamluk Carpet, Vienna Book(1892) and Sarre-Trenkwald(1926, pl.48). That carpet was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It was sold at Christie's London on 8 April 2014 and purchased by the Louvre Museum. It is ..

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.24 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.68 and Caucasian Carpets, E. Gans-R..

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.24 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.68 and Caucasian Carpets, E. Gans-R..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a se..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a se..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed ..

This Gabbeh rug, designed in the 1930s, is a type of handwoven rug that originated from Iran, specifically from the southwestern region known as Fars. The word "Gabbeh" itself means "raw" or "natural" in Persian, reflecting the simplicity and primitive charm of these rugs. Gabbeh rugs are traditiona..

The design source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.284. This is a spectacular example of the Orducth-Konagkend type rug in the late 19th century in the Kuba region, Caucasus. There are three principal designs for rugs attr..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be ..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..