This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.135. This exceptionally elegant, large medallion-pattern design 17th-century carpet from the Konya region, Central Anatolia area of Turkey. Vine scrolls surrounding the b..

This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived..

This dual medallion is the main element of the design of the 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived ..

The design source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E...

This is a Derbend Kazak rug also known as Daghestan rug, designed late 19th century, is a type of handwoven rug that originate from the Caucasus region, specifically from the town of Derbend (also spelled as Derbent) in modern-day Dagestan, Russia. Derbend rugs have a rich history that dates back ce..

This is a Derbend Kazak rug also known as Daghestan rug, designed late 19th century, is a type of handwoven rug that originate from the Caucasus region, specifically from the town of Derbend (also spelled as Derbent) in modern-day Dagestan, Russia. Derbend rugs have a rich history that dates back ce..

This rug's design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design an..

This rug's design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design an..

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.46. This is a double migrab prayer rug from the late 19th century, Genje ( Gendje ) region, Caucasus area. There are hooked medalli..

This is another Kazak example of the Fachralo is a town north of Lori-Pambak and just southwest of Bordjalou, from the late 19th century, Caucasus area. It has given its name to a number of usually small, boldly designed, and brilliantly colored Kazak rugs but, although this has proved a useful desc..

This is another Kazak example of the Fachralo, a town north of Lori-Pambak and just southwest of Bordjalou, from the late 19th-century, Caucasus area. It has given its name to a number of usually small, boldly designed, and brilliantly colored Kazak rugs but, although this has proved a useful descri..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.40. This offset pattern is composed of palmettes and stems with large forked leaves, one has the impression that it is only part of a larger scheme designed 17th-century rug ..

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.28. This Persian Garden design rug belongs to the second half of 18th century in the Persia area. The design of this rug is based on the Formal Persian Garden. There..

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of the Arabe..

The design source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of th..

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of the Arabe..

This is an arabesque style connected palmette and flowers designed carpet 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan area. Garrus is located in the foothills approaching the flatlands of Persia, Garrus has been a significant Kurdish city since antiquity when it was the ca..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..