NEW in Journal 3.2! The enhanced Off Canvas menu now supports the Builder module, so you can build custom Off Canvas menus with any supported layout modules in it. 🙌
The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..
The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..
The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..
The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..
This is a popular design employed by the Turks, a 17th-century rug from Turkey, Central Anatolia area. Stylized pomegranate trees with flowers and fruits, many diverse colored floral figures on a blue ground with both ends prayer arch (mihrab) design whose inner fields are covered with flowering pla..
This offset pattern is composed of ascending flowers, shield-like palmettes flanked by leaf-like wings designed for 19th-century rugs from the Heriz region, the North-west Persia area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen on a f..
The source of the rug comes from the book Seven Hundred of Oriental Carpets, Hanna Erdmann, University of California Press, 1971 pg.173. This offset pattern is composed of ascending shield-like palmettes flanked by leaf-like wings designed for 17th to 18th-century rugs from Azerbaijan, the North-wes..
The source of the rug comes from the book Seven Hundred of Oriental Carpets, Hanna Erdmann, University of California Press, 1971 pg.173. This offset pattern is composed of ascending shield-like palmettes flanked by leaf-like wings designed for 17th to 18th-century rugs from Azerbaijan, the North-wes..
The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..
The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..
This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..