This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. One has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kur..

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. One has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kur..

This is a repeat of large sweeping arabesques in muted colors adorning the red field rug designed in the early 20th century that originates from the Bidjar region in northwestern Iran. Bidjar rugs, in general, are renowned for their exceptional durability and high-quality craftsmanship. The Arabesqu..

This is a repeat of large sweeping arabesques in muted colors adorning the midnight blue field rug designed in the early 20th century that originates from the Bidjar region in northwestern Iran. Bidjar rugs, in general, are renowned for their exceptional durability and high-quality craftsmanship. Th..

This is a Bidjov Kazak rug, designed late 19th century, is a type of handwoven rug that originated from the Caucasus region, specifically from the town of Bidjov, a few miles north of Marasali. As with many place names, the attribution to Bidjov is by no means certain; this group as a whole seems cl..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.135. This exceptionally elegant, large medallion-pattern design 17th-century carpet from the Konya region, Central Anatolia area of Turkey. Vine scrolls surrounding the b..

This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived..

This dual medallion is the main element of the design of the 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived ..

This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.135. This exceptionally elegant, large medallion-pattern design 17th-century carpet from the Konya region, Central Anatolia area of Turkey. Vine scrolls surrounding the b..

This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived..

The design source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E...

This is a Derbend Kazak rug also known as Daghestan rug, designed late 19th century, is a type of handwoven rug that originate from the Caucasus region, specifically from the town of Derbend (also spelled as Derbent) in modern-day Dagestan, Russia. Derbend rugs have a rich history that dates back ce..

This is a Derbend Kazak rug also known as Daghestan rug, designed late 19th century, is a type of handwoven rug that originate from the Caucasus region, specifically from the town of Derbend (also spelled as Derbent) in modern-day Dagestan, Russia. Derbend rugs have a rich history that dates back ce..

This rug's design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design an..

This rug's design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design an..

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.46. This is a double migrab prayer rug from the late 19th century, Genje ( Gendje ) region, Caucasus area. There are hooked medalli..

This is another Kazak example of the Fachralo, a town north of Lori-Pambak and just southwest of Bordjalou, from the late 19th-century, Caucasus area. It has given its name to a number of usually small, boldly designed, and brilliantly colored Kazak rugs but, although this has proved a useful descri..

This is another Kazak example of the Fachralo is a town north of Lori-Pambak and just southwest of Bordjalou, from the late 19th century, Caucasus area. It has given its name to a number of usually small, boldly designed, and brilliantly colored Kazak rugs but, although this has proved a useful desc..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..